It sounds like a five year old banging a Casio keyboard.
There are so many better examples of synth pop from 1981 alone.
Bette Davis Eyes by Kim Carnes being top of the list. It unmistakably defined a year and a time yet to this day still sounds cutting edge. But it only reached number 10.
Donāt You Want Me Baby unmistakably defined a time and a place but has dated terribly, because it was never great in the first place.
Yes and the original version is almost unrecognisable from the Kim Carnes version.
Two of the definitive songs of 1990 are Nothing Comes 2 U by Sinead OāConnor and Step On by The Happy Mondays. They were originally released by Princeās band The Family in 1985 and John Kongos in 1971 respectively.
Kim Carnesā version of Bette Davis Eyes was released in March 1981.
Iād consider it one of the key cornerstones on which 1980s electro pop was built, rarely if ever bettered. A pure blues voice mixed with groundbreaking synth sound and drum beats. Itās definitely a key signpost on the road between Kraftwerk-New Order-Madonna-Jam and Lewis-Janet Jackson-Chicago House-Detroit Techno.
Also itās a fucking belter of a song which is the only thing that matters.
But I wouldnāt want to listen to it ten times in a row. Thatās the acid test of whether a song is genuinely great or not - if you listen to a song once and then half an hour or forty minutes later you mentally wake up and realise youāve just listened to it ten times in a row.
*Seminal is a word that is only used in wanky music discussion, like revellers is only used about pubgoers pre-Christmas.
In a coffee shop here in Blackrock SoCoDu here and the staff are discussing this song which is playing in the background and they have come to the conclusion that it has aged very badly.